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The band's music was offset by Knopfler's lyrics, which approximated the winding, stream-of-conscious narratives of Bob Dylan. Cale, but they also had jazz and country inflections, occasionally dipping into the epic song structures of progressive rock. Led by guitarist/vocalist Mark Knopfler, the group built their sound upon the laid-back blues-rock of J.J. If anything, the band was a direct outgrowth of the roots revivalism of pub rock, but where pub rock celebrated good times, Dire Straits were melancholy. Dire Straits emerged during the post-punk era of the late '70s, and while their sound was minimalistic and stripped down, they owed little to punk. This feature was originally published in the Novemissue of Rolling Stone. Dire Straits, an English quartet led by singer songwriter Mark Knopfler, plays tight, spare mixtures of rock, folk and country music with a serene spirit and witty irony. Recorded at London’s AIR Studios and produced by frontman Mark.
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9, 1991, Dire Straits did something that fans and critics alike had been waiting for them to do for half a dozen years: they released a follow up to the multi-platinum smash Brothers in Arms. The next revolution may be just around the corner. Calling Elvis: On Dire Straits Final Album. Mark is a master, Dire Straits was a gift to the Music world, and On Every Street, is a worthy part of that gift. Looking at the best rock has had to offer in the Eighties, it’s clear that there’s plenty of life left in the old beast yet. Dire Straits creates an atmosphere either joy or tension, and paints a sonic picture you can see so clearly in your minds eye. But rock in the Eighties was like that - lively, varied, contentious and, to some degree, inconclusive. The embarrassment of riches on this list is all the more remarkable, since arthritic radio programming, corporate sponsorship and outbursts of racism and sexism in rap and metal have complicated rock’s present and raised fears for its future.īest-of lists such as this one are by nature subjective. kicked out some serious streetwise jams Metallica and Guns N’ Roses established new hard-rock beachheads and Hüsker Dü, Sonic Youth and the Replacements offered definitive statements of postpunk angst. Further down the list, old-timers like Dylan, the Stones and Lou Reed hit new highs Public Enemy and Run-D.M.C. The first 10 entries here span the Clash’s polyglot punk, Prince’s crossover funkadelica, Afro-bop from Talking Heads and Paul Simon and hymns of innocence and experience by U2 and Tracy Chapman. And rap transformed the face - and voice - of popular music. Punks got older and more articulate in their frustration and rage, while many veteran artists responded to that movement’s challenge with their most vital work in years. The following survey of the 100 best albums of the Eighties, as selected by the editors of Rolling Stone, shows that the music and the values it stands for have been richer for the struggle. Musicians and audiences alike have struggled to come to terms with rock’s parameters and possibilities, its emotional resonance and often dormant social consciousness. But if the past 10 years haven’t exactly been the stuff of revolution, they have been a critical time of re-assessment and reconstruction. In comparison, the Eighties have been the decade of, among other things, synth pop, Michael Jackson, the compact disc, Sixties reunion tours, the Beastie Boys and a lot more heavy metal. The Seventies gave rise to David Bowie, Bruce Springsteen, heavy metal, punk and New Wave.
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The Sixties were rocked by Beatlemania, Motown, Phil Spector, psychedelia and Bob Dylan. The Fifties witnessed nothing less than the birth of the music. This has been the first rock & roll decade without revolution, or true revolutionaries, to call its own.