Of course, Kal-El, aka Clark Kent (cleverly, the name "Superman" is only hinted at), can’t let that happen. Long story short: The diabolical Zod wants to terraform and repopulate Earth in the image of his dearly departed Krypton. He is forced to make himself public when his dad’s nemesis from Krypton, General Zod (Michael Shannon), shows up looking for Kal-El. But when an alien ship from Krypton is found buried near the Arctic - and the government as well as Lois Lane (Amy Adams), an investigative reporter for The Daily Planet, are trying to figure out what it is - Kent’s private life begins to unravel. When we are introduced to the adult Clark (Henry Cavill, "The Tudors”), he lives a loner life, not revealing much of anything to anyone. That’s too bad because, until the point where it turns into a routine exercise like "Thor," "Man of Steel" has so much going for it. By the end, "Man of Steel" has mutated into just another superhero action movie, with explosions galore and city buildings toppling like so many Legos. His hellish vision of the planet Krypton in its end times - where Jor-El (Russell Crowe) sends his newborn son, Kal-El (later known as Clark Kent) into deep space to be raised on Earth - and Clark’s tortured road to manhood are ripe with despair.īut then the constraints of being an estimated $225 million film, with all the weight of box-office expectations that number brings, begin to tie the filmmakers’ hands in bonds that not even Superman can break. Goyer, the men behind the gloomy "Dark Knight" movies, co-wrote the story and Nolan co-produced.īut it’s director Zack Snyder (“300," "Watchmen," the "Dawn of the Dead" reboot), redeeming himself from the wretched steampunk shenanigans of "Sucker Punch," who pulls it all together. No surprise then that Christopher Nolan and David S. The "X-Men" and the "Dark Knight" sagas have trod this territory, but it’s new for the cinematic "Supermans," at least to this degree. Using alienation as a theme is familiar to the comic-book world, of course. That's it.For its first half, "Man of Steel" is well on its way to superhero-movie greatness.ĭark, turbulent and not at all campy, it casts the young Clark Kent as a perennial outcast, a boy trapped between the wishes of his adoptive father, who demands he keep his strengths secret, a world that shuns him when he shows any evidence that he is different, and his gnawing desire to be who he really is. Give us more!' I'm like 'No, there's no more. I go, 'Look - that's it,' and 'No! No Zack! Please. It's hard because, of course, when I talk to the true dorks, they're like 'Why is it so short?!?' "
#Man of steel young clark movie
I mean, I think my first cut of the movie was like three hours and 20 minutes long.
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We weren't really too concerned about the length. I feel like we've moved on a little bit from that era of modesty." "But look, the underwear comes from - it's a leftover from Victorian strongmen, is what they originally based the design of the Superman costume on in 1938. I think it's a fashion thing that's going to catch on. To make it make sense, we really wanted to base it on Kryptonian culture - and a cape culture. It wasn't like a thing that his mom sewed out of a blanket or anything like that. What we wanted to do with the costume is make it feel like it was based on this alien technology and culture I wanted to explain the costumes through Clark's original alien culture. On why Superman's underwear is on the inside this time around Within that world, it was fun to see Jor-El putting his son into the basket and sending him down the river."īook Reviews With Mullet Or With Monkey, Everyone Knows Superman "And I really wanted to treat the experience of seeing Superman born. "I have a reverence for that mythology," says director Zack Snyder, who admits to being "a slight dork" about such things. The latest big-screen iteration, called Man of Steel, explores the birth of the character (played as an adult by British actor Henry Cavill), delving into why he came to Earth, his inner conflicts growing up, and how he resolves them.Īnd more than perhaps any other big-screen version of the story, Man of Steel lingers on the wrenching death throes of Superman's home world - the distant planet Krypton, where his natural father (Russell Crowe) and mother work desperately not just to save their son, but to save their species. The quintessential American superhero - the one who forged the genre - returns to the multiplex this weekend: Superman.
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Cavill is the first British actor to wear Superman's iconic red and blue - though not the first to play a D.C. Actor Henry Cavill and director Zack Snyder confer on a shot for an early sequence in Man of Steel.